It will proceed in intermittent interruptions of the performer s addresses to the audience, during which the participants will engage in a discussion on various issues arising at the interface of mis-spectating and mis-performing, of re-hearsal and final enactment, of life-history and performance present/presence, of front-stage and back-stage, of every-day, professional and artistic performance pressure, of existential and gender - or age-inflected perfor-mance anxiety, of performance as event and its textual (mis -) representation, of artistic practice and theory, of theatre and performance studies